Third Period / n.22 / November 2005
Table of Contents
DOSSIER: EUROPEAN VIEWS. CONTEMPORARY TEXTS AND AUTHORS
- Political Theatre: A Letter from London. John London. P.156
- The Theatre of Sarah Kane. An Accursed Classic. Esteve Soler. P. 160
- The Theatre of Sarah Kane. Contemporary Tragedy. Diana González. P. 165
- A Look at Irish Contemporary Theatre. Júlia Canosa i Serra. P. 169
- Driving out the Demons. The Use of Narrative in Irish Theatre. Víctor Muñoz i Calafell. P. 172
- What is there that is Special about Writing for German Theatre? Roland Schimmelpfennig. P. 182
- Common Ground on Either Side of the Atlantic. Victoria Szpunberg. P. 184
- Possessing the Truth. Marius von Mayenburg. P. 185
- Is Germany 'Really' the Centre of Western Theatre. Rafael Spregelburg. P. 189
- In Praise of the Crash Helmet. Xavier Albertí. P. 195
- Madrid 2000-2005. Creative Forms of Primary Interest. José Henríquez. P. 196
- The Latest News on the Neo-Greek Playwrights. P.A. Angelopoulos. P. 204
- New Serbian Theatre. Igor Maroévic. P. 210
THEORICAL MATERIAL: NOTES ON FRAGMENTATION IN CONTEMPORARY DRAMA (II)
- From Theory to Practice. Carles Batlle i Jordà. P. 213
- Raccord by Rodolf Sirera. Pere Riera. P. 214
- Before/After by Ronald Schimmelpfennig. Ferran Dordal. P. 216
- Attempts on Her Life by Martin Crimp. Òscar González. P. 217
- Apocalipsi by Lluïsa Cunillé. Iban Beltrán. P. 219
- Far Away by Caryl Churchill. Pastora Villalón. P 221