Courses

The prestigious Argentinean playwright, director and actor, the author of texts such as Todo and Lúcido and the star of films such as El hombre de al lado, will teach a course for actors, directors and playwrights. We artists seek accuracy and precision as much as the physicist or the[...]

The author of Marburg, Smiley and La golondrina proposes a course on building stories through the social media networks and taking advantage of these mechanisms when playwriting for theatre. In late 2018, the love story of Emil and Xaver, two soldiers in World War I buried in the same tomb,[...]

The author of The Writer, considered one of the best British plays of the last season, proposes the exploration of whether new theatrical forms are necessary or something solid exists in the Greek dramatic principles that have survived since the times of Aristotle. Aristotelian principles suggest that unity of time,[...]

The author and director of Cançó per tornar a casa, the new show by T de Teatre that can be seen during the Grec Festival at the Sala Beckett, proposes a workshop of stage creation that will explore work procedures geared towards the creation and development of theatrical scenes. This[...]

One of the most international of Catalan theatre directors proposes a workshop for professional actors interested in the training, research and perfecting of a stage truth based on Chekhov’s The Seagull. Workshop aimed at actresses and actors interested in training, research and perfecting of a scenic truth in text-based theatre.[...]

One of Turkey’s most internationally performed women playwrights proposes a course to talk about the world that we design for our characters and to ask ourselves to what point we give them free rein or allow them to surprise us. Since in Poetica Aristotle defined tragedy as an imitation of[...]

One of the most important French playwrights of all time proposes a workshop of discussion and debate around the ideas or projects that its participants are writing. Deep down, the main idea of this workshop is very simple: dramatic writing is a solitary practice, however much it is addressed at[...]

Cuban playwright González Melo, the winner of some of the most important awards on the Cuban and Spanish theatre scene, proposes an eminently practical course where he will consider how to construct what we cannot see in a play for theatre but that is indispensable for the plot. If dramatic[...]